A movie made for closed circuit television to be played in Caesar's Palace in Las Vegas. Orson Welles explains the rules of various gaming,. Depictions of the talent and amenities at the hotels are also shown.

"Working with Orson Welles" is a low-budget production put together by Gary Graver, who worked as a cameraman for Welles in the last 15 years of his life.

A 1978 filmed conversation between Orson Welles and his lifelong mentor Roger “Skipper” Hill, shot at Welles’s home in Sedona by Gary Graver. Edited from six hours of footage into a 62-minute documentary, the film captures their reflections on friendship, education, memory, and Welles’s formative years at the Todd School.

Excerpts and fragments from different interviews with Orson Welles making a statement to journalists in fluent French about his career and his conception of life.

Malpertuis featurette on the casting of Welles, including rare outtakes of the actor

Profile of Orson Welles, looking at his life and career in theatre, radio and particularly film.

Welles had a lifelong interest in magic, having been taught his first magic tricks by Harry Houdini in the 1920s, when Welles was still a boy. In this unfinished television special, filmed between 1976 and 1985, Welles performs various magic tricks for the camera, promising that no trick photography is used.

Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.

When Orson Welles went into self-imposed exile in Europe, he first found stardom with The Third Man and then immersed himself in challenging films, television, theatre and bullfighting. Simon Callow trails the complex actor-director.

Orson Welles' Great Mysteries was a British television series The series was an anthology of different tales. Each episode was introduced by Orson Welles, who was the only regular actor in the series.In the opening titles, Welles would be shown in silhouette as he walked through a hallway towards the camera, smoking a cigar and outfitted in a broad-brimmed hat and a huge cloak, the outfit itself being a nod to his having provided the voice of The Shadow in the radio program. When he actually appeared on-screen to introduce the episodes, his face would be all that would be shown, in extreme close-up and very low lighting.